Sans Normal Jodum 2 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Gltp Starion' by Glowtype, 'Taz' by LucasFonts, 'Fact' by ParaType, 'Core Sans N SC' by S-Core, and 'Asgard' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, energetic, impactful, confident, modern, attention, motion, bold branding, display clarity, modernity, slanted, geometric, compact, blocky, smooth.
A heavy, right-leaning sans with broad proportions and rounded, geometric counters. Strokes are thick and assertive, with subtly tapered terminals and smooth curves that keep the forms from feeling purely rectangular. The italic construction reads as a deliberate oblique rather than calligraphic, maintaining consistent stroke energy across letters and figures. Overall spacing and silhouettes emphasize big, stable shapes, with a few condensed joins and tight inner counters that increase visual punch at display sizes.
Best suited to display settings such as headlines, posters, brand marks, and high-impact marketing where bold slanted shapes help convey speed and emphasis. It can work well for sports identities, event graphics, packaging, and social media creatives, particularly at medium-to-large sizes where counters have room to breathe.
The tone is fast and forceful, with a sporty, headline-driven attitude. Its slant and mass create a sense of motion and urgency, while the rounded geometry keeps it approachable rather than aggressive. The overall impression is contemporary and promotional, aimed at grabbing attention quickly.
The design appears intended to deliver maximum presence with a modern, motion-oriented slant and clean sans structure. It prioritizes strong silhouettes, quick recognition, and a dynamic rhythm for attention-driven typography.
Round letters like O and Q are strongly elliptical, and the Q’s tail is bold and graphic, reinforcing the display character. Numerals follow the same chunky, forward-leaning rhythm, reading clearly as a set. In longer lines, the dense weight and narrow internal spaces can make text feel compact, favoring short phrases over continuous reading.