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Inline Ukpe 1 is a very bold, very wide, very high contrast, upright, normal x-height font.

Keywords: posters, logotypes, headlines, album art, game ui, industrial, glitchy, aggressive, retro tech, noisy, impact, texture, edginess, tech feel, display legibility, blocky, stencil-like, outlined, distressed, geometric.


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A chunky, squared display face built from rectilinear forms with heavy, slab-like strokes and mostly right-angled corners. Each glyph is framed by a consistent outer outline, while interior cut-outs and narrow inline-style channels carve through the black mass, producing high-contrast negative shapes. Many characters include deliberate breaks, drips, and jagged interruptions along edges and counters, giving the set a fractured, worn surface. Proportions are broad and compact, with a generally low-to-mid contrast rhythm created by large solid areas punctuated by tight internal openings and occasional vertical slits (notably in rounded forms like O).

Best suited to large-format display settings where the bold silhouettes and inline cut-outs can be appreciated—posters, title cards, packaging, and branding that leans industrial or digital. It can also work for game/UI headers and short callouts where a gritty, high-impact voice is desired. For body copy or small captions, the internal channels and distressed details may limit clarity.

The overall tone feels industrial and confrontational, like warning labels, arcade-era UI, or distressed signage. The combination of rigid geometry and damaged detailing reads as cyber-grit: mechanical, loud, and slightly chaotic. It conveys a sense of impact and urgency rather than refinement.

The design appears intended to merge a heavy geometric display structure with carved inline details and controlled damage, creating a striking, textured look. By pairing an outlined frame with cut-through interiors and irregular breaks, it aims to deliver strong readability at headline sizes while projecting a gritty, tech-industrial personality.

The outline-plus-fill construction keeps letter silhouettes strong at a distance, but the fine internal cuts and distressed nicks can become busy at smaller sizes. Several glyphs show intentional irregularities that add texture but also reduce uniformity, reinforcing the glitch/decay aesthetic across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸