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Free for Commercial Use

Sans Superellipse Fidak 12 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Gentona' by René Bieder, 'Sans Beam' by Stawix, 'Halcom' by The Northern Block, and 'Helios Antique' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, branding, posters, sports, packaging, sporty, energetic, modern, confident, friendly, speed cue, impact display, modern branding, friendly strength, clear signage, slanted, rounded, geometric, compact joins, high impact.


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A heavy, forward-slanted sans with softly squared, superellipse-driven curves and broad proportions. Strokes are monolinear and assertive, with rounded corners and smoothly blended joins that keep counters open despite the weight. The italic construction reads as a true oblique with consistent slant across caps, lowercase, and numerals, producing a steady diagonal rhythm in text. Round letters (O, C, G) lean toward rounded-rectangle geometry, while diagonals (A, V, W, X, Y) are wide and stable, giving the overall set a strong, planted feel.

Best suited to headlines, brand marks, promotional graphics, and poster typography where a bold, slanted voice is desirable. It should work well for sports and fitness branding, product packaging, and short UI/marketing callouts where compact, high-impact letterforms need to read quickly. For longer passages, it’s likely strongest as emphasis or display copy rather than continuous body text.

The tone is energetic and contemporary, projecting speed and confidence without feeling sharp or aggressive. Its rounded geometry adds approachability, balancing the bold voice with a friendly, accessible character. The consistent slant contributes a dynamic, action-oriented impression suited to attention-grabbing messaging.

The design appears aimed at delivering a bold, fast-moving display sans that stays friendly through rounded, superellipse-based shaping. By combining wide proportions with a consistent italic slant and open counters, it prioritizes instant visibility and a modern, energetic brand tone.

Spacing appears generous enough to keep heavy shapes from clumping, and the numerals share the same slanted, geometric logic for a cohesive typographic color. The lowercase shows sturdy, simplified forms with clear, open apertures, helping maintain legibility in dense, bold settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸