Sans Superellipse Filel 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Autoprom Pro' by Stefan Stoychev (names referenced only for comparison).
Keywords: sports branding, gaming ui, headlines, posters, logos, sporty, futuristic, technical, assertive, dynamic, impact, speed, modernity, ui clarity, branding, extended, rounded, oblique, squared, compact counters.
A heavy, forward-leaning sans with extended proportions and a squared, superelliptical construction. Strokes are thick and uniform, with generously rounded corners and rectangular counters that keep the shapes crisp at display sizes. The rhythm is brisk and mechanical, with tight internal apertures and a strong horizontal emphasis created by the wide letterforms and slanted terminals. Numerals and capitals follow the same rounded-rectangle geometry, producing a consistent, engineered texture across lines of text.
This font is well suited to short, high-impact settings such as sports identities, esports and gaming UI, tech product branding, posters, and bold editorial headlines. It also fits motion graphics and on-screen titling where the oblique angle and squared-rounded forms help text feel fast and contemporary. For extended passages, it works best in larger sizes with generous spacing to offset the dense typographic color.
The overall tone is energetic and performance-driven, evoking motorsport graphics, athletic branding, and sci‑fi interface lettering. Its oblique stance and blocky curves project speed and confidence, while the rounded corners keep it approachable rather than harsh. The feel is modern and utilitarian, with a distinctly technical edge.
The design appears intended to deliver a fast, modern display voice built from rounded-rectangle forms. By pairing a strong slant with extended widths and compact counters, it aims for maximum impact and a streamlined, engineered look that holds together across caps, lowercase, and numerals.
The design leans on squared bowls and rounded corners throughout, making curves read as controlled arcs rather than calligraphic motion. In the sample text, the dense weight and compact apertures create a dark, unified color that favors headlines over long-form reading. Diacritics and punctuation are not shown beyond basic sentence punctuation, so the visible character set is best judged from the provided A–Z, a–z, and 0–9.