Font Hero

Free for Commercial Use

Sans Superellipse Fydah 4 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Nicomedia' by Artegra, 'Asen Pro' by Asenbayu, 'Nexa' by Fontfabric, 'ITC Handel Gothic' by ITC, 'Olney' by Philatype, 'Hype Vol 1' by Positype, 'Sans Beam' by Stawix, 'Gemsbuck Pro' by Studio Fat Cat, and 'Radiate Sans' by Studio Sun (names referenced only for comparison).

Keywords: sports branding, headlines, posters, logos, product packaging, sporty, techy, assertive, dynamic, industrial, impact, speed, modernity, branding, slanted, extended, rounded, blocky, compact counters.


Free for commercial use
Customize the font name

A heavy, slanted sans with extended proportions and rounded-rectangle construction. Strokes stay uniform and dense, with corners consistently softened into squarish curves that give bowls and counters a superelliptical feel. Letterforms are tightly engineered and slightly condensed internally: counters are compact, joins are firm, and terminals tend to cut off cleanly rather than taper. The rhythm is stable and modular, with a forward lean and broad stance that keeps lines of text looking fast and solid.

Best suited for attention-grabbing contexts such as sports identities, bold headlines, posters, and logo wordmarks where its slanted momentum and blocky mass can work at scale. It can also fit product and tech packaging where a tough, modern, engineered voice is desired, especially in short phrases rather than long reading.

The overall tone reads energetic and forceful, combining a sporty, performance vibe with a modern, tech-industrial edge. Its rounded corners soften the aggression just enough to feel contemporary rather than harsh, while the strong slant adds motion and urgency.

The design appears intended to deliver a high-impact, forward-moving sans built from rounded rectangular forms, balancing toughness with a clean, contemporary finish. Its geometry and consistent stroke treatment suggest an emphasis on strong silhouettes and brand-ready presence.

Uppercase forms appear especially geometric and squared-off, while lowercase keeps the same construction with simplified, sturdy shapes. Numerals follow the same rounded-rect geometry, yielding a cohesive, display-forward set that stays legible at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸