Sans Superellipse Hunol 1 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Rhode' by Font Bureau, 'FF Good' and 'FF Good Headline' by FontFont, 'CF Blast Gothic' by Fonts.GR, 'Gotham' by Hoefler & Co., and 'Gratique' by Lemon Studio Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, punchy, industrial, sporty, retro, space-saving impact, bold display, brand presence, sign clarity, compact, blocky, squared, rounded, condensed.
A compact, heavy sans with rounded-rectangle (superellipse) geometry and tight interior counters. Strokes are uniform and dense, with squared terminals softened by broad rounding, giving letters a blocky silhouette that stays smooth rather than sharp. Curves in C/G/O and bowls are squarish and controlled, while straight-sided forms (E/F/H/I/N) feel rigid and engineered. The lowercase shows a tall x-height with short extenders and simplified construction; the single-storey a and g and sturdy numerals reinforce a utilitarian, condensed rhythm.
Best suited to headlines, posters, and short, high-impact copy where bold presence is the priority. It also fits logos, packaging callouts, signage, and sports or product branding that needs compact width with strong visibility. For longer text, using larger sizes and added spacing can help maintain clarity.
The overall tone is loud and assertive, with a no-nonsense, workhorse confidence. Its compact heft and squared-round shapes evoke athletic branding, industrial labeling, and retro display typography where impact and immediacy matter more than delicacy.
The design appears intended to deliver maximum visual impact in a space-efficient width by combining condensed proportions with superelliptical rounding and uniform stroke weight. The simplified, sturdy letterforms suggest a focus on clear, repeatable shapes that hold up in display settings and strong branding applications.
At larger sizes the tight counters and dense joins create a strong black mass, while smaller sizes may benefit from generous tracking to keep apertures from visually closing. The family of forms stays consistent across uppercase, lowercase, and figures, supporting cohesive headline systems.