Hollow Other Siti 3 is a very light, very wide, very high contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, packaging, titles, playful, retro, quirky, graphic, headline, attention grabbing, decorative, retro display, graphic impact, logo friendly, inline, outline, stencil, modular, whimsical.
A decorative outline face built from thin, monoline contours with intermittent internal knockouts that create a hollow/inline look. Letterforms are generally broad and generously spaced, with rounded bowls and softly squared corners giving a friendly geometric base. Across the set, the outlines remain consistent while the interior cutouts vary by glyph—sometimes appearing as bold wedges, notches, or inset shapes—producing a punchy figure/ground contrast without adding stroke weight. Lowercase forms read large and open, with simplified terminals and compact descenders, while numerals follow the same outlined construction and feel sturdy at display sizes.
Best suited for headlines, titles, and short bursts of text where the hollow outlines and internal cutouts can be appreciated. It works especially well for posters, playful branding, packaging, and logo wordmarks that want a light, graphic presence without feeling delicate. For longer reading, it will be most effective in larger sizes and with comfortable tracking.
The overall tone is upbeat and idiosyncratic, mixing a clean geometric skeleton with mischievous cut-in details that feel poster-like and attention-seeking. The shifting internal shapes add a handcrafted, show-card energy and a slightly surreal rhythm, making ordinary text feel animated and graphic.
The font appears designed to turn a simple geometric outline into a distinctive display voice by introducing irregular, high-contrast internal knockouts. Its intent is more expressive than neutral: to create memorable silhouettes and visual rhythm through cut-in shapes while keeping a consistent, airy outline construction.
The design relies on white space and interior apertures as much as on the outer silhouette, so it benefits from ample size and breathing room. Some glyphs include more dramatic cutouts than others, creating intentional unevenness that reads as stylistic character rather than strict uniformity.