Sans Superellipse Lomor 4 is a regular weight, very narrow, low contrast, upright, normal x-height font visually similar to 'Albireo' and 'Albireo Soft' by Cory Maylett Design (names referenced only for comparison).
Keywords: headlines, posters, packaging, wayfinding, labels, condensed, modern, clean, industrial, utilitarian, space saving, clarity, system design, modernization, rounded corners, monoline, tall, vertical, compact.
A compact, tall sans with monoline strokes and softened, squared curves that give round letters a superelliptical feel. The overall construction is vertical and economical, with narrow counters and tight apertures that keep the texture dense without becoming spiky. Terminals are consistently rounded, and straight stems stay steady and even, creating a smooth rhythm in both uppercase and lowercase. Numerals follow the same condensed, rounded-rectangle logic, staying simple and legible within a tight width.
It performs well in space-constrained settings such as headlines, subheads, packaging copy, labels, and navigation or wayfinding where narrow letterforms help fit more text per line. Its even stroke weight and rounded corners also suit UI titling, dashboards, and other system-like layouts that benefit from a tidy, controlled typographic color.
The tone is crisp and contemporary with a lightly industrial edge. Its narrow, upright stance and rounded corners balance efficiency with approachability, reading as functional rather than decorative. The result feels suited to modern systems and information-forward design where space and clarity matter.
The design appears intended to deliver a condensed, modern sans that conserves horizontal space while maintaining a friendly, unified geometry. By using rounded-rectangle curves and consistent monoline strokes, it aims for a reliable, contemporary look that stays clear and cohesive across letters and numerals.
Uppercase forms emphasize verticality, while lowercase retains a straightforward, simplified structure that keeps word shapes compact. Curved letters (like C, G, O, S) appear built from rounded rectangles rather than pure circles, reinforcing a consistent geometric voice across the set.