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Free for Commercial Use

Serif Flared Reko 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Muller' and 'Muller Next' by Fontfabric, and 'Rehn Condensed' by moretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, book covers, folkloric, playful, storybook, rustic, vintage, decorative impact, vintage flavor, signage feel, friendly tone, flared terminals, cupped serifs, soft corners, bouncy rhythm, display.


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A heavy, compact serif with pronounced flared terminals and cupped, wedge-like serifs that give strokes a carved, swollen finish. Strokes are low-contrast and mostly monoline in feel, with rounded joins and softened corners that keep the dense weight from feeling harsh. The letterforms show lively, slightly irregular contours and a subtly variable internal spacing that creates a hand-cut, poster-like rhythm. Uppercase forms are broad and sturdy with distinctive notched or pinched endings, while lowercase maintains clear, friendly shapes with strong bowls and short, confident extenders.

Best suited to display settings such as posters, titles, and short pull-quote typography where its sculpted terminals and chunky silhouettes can be appreciated. It can add character to packaging, labels, event graphics, and brand marks that want a rustic or storybook flavor. For text-heavy layouts, it works more as an accent—used sparingly for headings, deck lines, or section breaks.

The overall tone is playful and folkloric, with a vintage, storybook character that feels welcoming rather than formal. Its chunky silhouettes and flared endings suggest hand-rendered signage, carnival or western ephemera, and decorative printing traditions. The texture reads bold and animated, adding personality and a touch of whimsy to headlines.

The design appears intended to deliver an expressive, bold serif voice through flared stroke endings and gently irregular contours, evoking hand-cut or vintage printed lettering. Its priority seems to be strong presence and personality in display typography, with recognizable shapes and a distinctive terminal vocabulary that creates immediate visual identity.

The strong ink traps/notches and pronounced terminal shaping create a distinctive texture at larger sizes, but also make the face visually busy in long passages. Numerals match the same chunky, flared construction and read best when given breathing room. The lively rhythm comes more from contour and terminal behavior than from stroke contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸