Sans Other Obby 10 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Brocks' and 'Stallman Round' by Par Défaut and 'Alma Mater' and 'Oscar Bravo' by Studio K (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, industrial, retro, game-like, authoritative, mechanical, impact, modular feel, tech tone, signage, retro edge, blocky, angular, square, compact, stencil-like.
This is a dense, block-built sans with squared geometry and hard, mostly right-angled joins. Strokes are consistently heavy with minimal modulation, and many terminals are cut flat or with small chamfered corners that create a faceted, machined look. Counters tend to be tight and rectangular, and several forms show deliberate notches or inset shapes that recall modular or pixel-adjacent construction. Spacing and rhythm feel compact, emphasizing verticality and creating a strong, columnar texture in text.
Best suited to short, high-impact settings such as headlines, posters, branding marks, and packaging where strong silhouette and dense color are assets. It can also work for game/UI titles, labels, and signage-style graphics that benefit from a modular, mechanical aesthetic. For longer text, it performs most comfortably at larger sizes with careful spacing.
The overall tone is bold and utilitarian, evoking industrial labeling, arcade-era display type, and tech-forward signage. Its sharp angles and compact density give it a firm, no-nonsense voice that reads as engineered rather than calligraphic. The style carries a retro-digital edge while remaining clean and strictly geometric.
The design appears intended to deliver a compact, high-contrast-in-mass display voice using a modular, squared construction system. It prioritizes bold presence and a consistent geometric language over open counters and relaxed readability, aiming for a retro-industrial, tech-leaning impression.
The alphabet shows a consistent system of squared bowls and clipped corners across both cases, with numerals matching the same block logic for cohesive set dressing. At text sizes, the tight counters and heavy color create a strong headline presence, while smaller sizes may require generous tracking to keep internal spaces from closing in.