Sans Other Obda 16 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Manufaktur' by Great Scott, 'Angulosa M.8' by Ingo, 'Stallman Round' by Par Défaut, 'Amboy' by Parkinson, and 'Boppa Delux' by Patricia Lillie (names referenced only for comparison).
Keywords: posters, headlines, logotypes, game ui, packaging, industrial, retro, arcade, mechanical, assertive, high impact, tech styling, geometric construction, signage feel, retro gaming, geometric, angular, octagonal, chiseled, square.
A heavy, angular display sans built from straight strokes and crisp, chamfered corners. The forms feel squared and octagonal, with frequent 45° cuts at terminals and inner corners, creating a faceted, engineered silhouette. Counters are compact and rectangular, spacing is on the tight side, and the overall rhythm is blocky and high-contrast in shape (though stroke weight stays consistent). Uppercase and lowercase share the same hard-edged construction, with single-storey a/g and simplified punctuation that matches the geometric logic.
Best suited to display settings where bold, angular texture is an asset: posters, title cards, sports or event graphics, packaging, and striking brand marks. It also fits UI and on-screen treatments for games or tech themes when used at larger sizes with ample spacing. For long-form text, it will be more effective in short bursts such as labels, calls to action, or navigation headers.
The font conveys a tough, utilitarian energy with a distinctly retro-digital flavor. Its rigid geometry and cut-corner detailing read as technical and game-like, suggesting hardware labels, arcade cabinets, or dystopian sci‑fi interfaces. The tone is confident and attention-grabbing rather than friendly or conversational.
The design appears intended to deliver maximum impact through a compact, machined geometry—prioritizing bold silhouette, straight-edged construction, and consistent chamfering to create a recognizable, industrial display voice.
At smaller sizes the tight apertures and dense counters can reduce clarity, while at medium-to-large sizes the faceted corners and chunky texture become the main personality. Numerals and capitals are especially strong as bold identifiers, and the overall set maintains consistent chamfer angles for a cohesive, constructed look.