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Free for Commercial Use

Serif Normal Benu 2 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Fresh Mango' by Shakira Studio (names referenced only for comparison).

Keywords: headlines, posters, packaging, book covers, branding, warm, heritage, confident, playful, stately, display impact, classic tone, distinctive texture, vintage flavor, brand character, bracketed serifs, soft terminals, swashy curves, rounded joins, ink-trap feel.


Free for commercial use
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A very heavy serif with pronounced thick–thin modulation and strongly bracketed, tapered serifs. The forms lean on broad, rounded bowls and softly cupped terminals, giving the outlines a slightly swollen, inked-in feel rather than razor-sharp edges. Uppercase proportions are sturdy and compact, while the lowercase shows a lively rhythm with generous curves, a single-storey a, and distinctive, somewhat calligraphic joins. Numerals are weighty and wide-set, matching the bold texture and maintaining clear, rounded counters.

Best suited to display-driven applications where its bold texture and distinctive serif modeling can be appreciated—headlines, posters, book covers, packaging, and brand marks. It can work for short passages or pull quotes when set with ample leading and careful tracking to keep the dense color from becoming heavy.

The overall tone is robust and characterful—traditional at its core, but with enough soft curvature and quirky details to feel personable and slightly playful. It reads as confident and old-world, evoking classic print and sign lettering rather than minimalist modern editorial type.

The design appears intended to deliver a classic serif voice with heightened weight and contrast, adding soft, slightly calligraphic shaping to stand apart from more neutral text serifs. It emphasizes impact and personality while retaining familiar serif construction for readability in display contexts.

In text, the strong contrast and deep brackets create a dark, continuous typographic color with noticeable internal shaping at joins and terminals. The letterforms prioritize presence and flavor over neutrality, which makes the texture feel expressive in larger sizes and denser in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸