Stencil Tise 3 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'HD Colton' by HyperDeluxe, 'JHC Mirko' by Jehoo Creative, 'Murs Gothic' by Kobuzan, 'Radiate Sans' by Studio Sun, 'Nu Sans' by Typecalism Foundryline, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, apparel graphics, industrial, athletic, futuristic, tactical, energetic, attention grabbing, industrial labeling, sport energy, graphic texture, tech styling, slanted, blocky, rounded, high-impact, compressed counters.
A heavy, slanted display sans with broad proportions and a compact internal rhythm. Letterforms are built from chunky geometric strokes with rounded outer curves and tight counters, then interrupted by consistent stencil breaks that read as clean bridges across bowls and diagonals. Terminals are mostly flat and engineered, with a forward-leaning posture that adds motion and a slightly aerodynamic feel. Spacing appears generous for such dense forms, helping the cut-outs stay legible in larger settings.
Best suited for large-scale applications where the stencil detailing can be appreciated: posters, headlines, branding marks, and bold packaging panels. It also fits sports and motorsport-style graphics, as well as apparel or equipment labeling where an industrial stencil flavor is desired. Use with restraint in longer passages, as the dense forms and cut-outs are optimized for display impact.
The overall tone is bold and utilitarian, with a sporty, action-forward attitude. The stencil cuts suggest machinery, equipment labeling, or tactical graphics, while the smooth curves keep it from feeling overly harsh. It reads as confident and punchy, geared toward attention rather than subtlety.
The design appears intended to merge high-impact, italicized display shapes with a consistent stencil construction, producing a rugged yet polished voice for energetic, theme-driven branding and titling.
The stencil interruptions are applied systematically across rounds (O, C, G) and angled structures (A, N, W, X), creating a strong, repeatable motif. Numerals follow the same broken-stroke logic, maintaining a cohesive texture in mixed alphanumeric settings.