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Free for Commercial Use

Slab Contrasted Tyka 3 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Clarendon BT' by Bitstream, 'Pulpo' by Floodfonts, 'Sagona' by René Bieder, 'Clarendon SB' and 'Clarendon SH' by Scangraphic Digital Type Collection, and 'Clarendon' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, confident, vintage, friendly, robust, collegiate, impact, heritage feel, display clarity, warmth, blocky, bracketed, softened, compact, punchy.


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A heavy slab-serif design with broad proportions and prominent, squared serifs that read as lightly bracketed rather than razor-sharp. Strokes are strongly weighted with a subtle but noticeable modulation, giving counters and joins a slightly sculpted feel. Curves are full and rounded (notably in C, O, S, and the lowercase bowls), while horizontals and terminals stay firm and blunt, producing a steady, poster-like rhythm. The lowercase is compact and sturdy with single-storey a and g, a sturdy, straight-backed n/m, and a short-tailed r; numerals are similarly bold and rounded with clear, chunky silhouettes.

Best suited to display settings where impact and presence matter: headlines, posters, storefront or wayfinding-style signage, and bold brand marks. It also fits packaging and labels that benefit from a vintage, sturdy voice, especially at medium to large sizes where counters and serifs have room to breathe.

The overall tone is assertive and dependable, with a nostalgic, workwear/collegiate flavor. Its thick slabs and rounded interior shapes make it feel friendly and approachable despite the strong weight, suggesting classic signage and headline typography.

The design appears intended to deliver a strong, high-contrast display voice that blends classic slab-serif solidity with softened curves for approachability. Its consistent, chunky construction suggests a focus on legibility at large sizes and a memorable, heritage-leaning character.

In text, the dense color and large serifs create strong word shapes and high impact, but the weight can tighten internal counters at smaller sizes. The ampersand matches the set’s chunky, rounded construction and reads as decorative yet coherent with the rest of the alphabet.

120px
108px
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84px
72px
64px
56px
48px
44px
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36px
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30px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸