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Free for Commercial Use

Sans Superellipse Fonup 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bystone' by GraphTypika, 'Flintstock' by Hustle Supply Co, 'School Activities JNL' by Jeff Levine, 'Enamela' by K-Type, and 'Refuel' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, sports branding, e-sports, packaging, sporty, dynamic, techno, impactful, confident, impact, speed, modernity, branding, display, slanted, condensed feel, rounded corners, blocky, angular cuts.


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A heavy, forward-slanted sans with compact, superelliptical construction and broadly rounded corners. Strokes are thick and uniform, with squared-off terminals softened by radius, producing a sturdy, block-like silhouette. Many joins and counters are tightened, and several shapes show angled cut-ins and notches that add snap to the rhythm. The overall spacing reads relatively tight, favoring dense, cohesive word shapes and strong horizontal momentum.

Best suited for short, high-impact settings such as headlines, sports and e-sports branding, posters, and bold promo graphics. It can also work for labels and packaging where a compact, energetic voice is needed and text is set at display sizes. For longer passages, its dense forms and tight counters are more effective in brief bursts than extended reading.

The tone is energetic and assertive, with a fast, athletic slant and punchy mass that feels built for motion and impact. Rounded rectangles keep it modern and approachable, while the sharp cuts add a slightly aggressive, performance-driven edge. It suggests speed, competition, and contemporary tech branding rather than quiet editorial refinement.

The design appears intended to deliver maximum presence with a streamlined, modern silhouette and built-in motion from its slant. Rounded-rectangle forms and uniform stroke weight emphasize clarity and consistency, while angular cut details introduce character and speed cues. Overall, it aims to communicate strength, performance, and contemporary edge in display typography.

Uppercase forms present as tall and forceful with simplified geometry, while lowercase maintains the same muscular construction and compact apertures. Numerals are bold and stable, matching the letterforms’ rounded-rectangle logic and maintaining consistent visual weight in mixed settings. The italic angle is pronounced enough to read as intentional styling rather than incidental obliquing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸