Sans Superellipse Udrik 5 is a bold, normal width, monoline, italic, normal x-height font.
Keywords: headlines, logos, posters, sports branding, gaming ui, tech, sporty, futuristic, aggressive, arcade, high-impact display, speed cueing, tech aesthetic, brand distinctiveness, oblique, angular, rounded corners, extended terminals, stencil-like counters.
A slanted, monoline sans with a squared‑off construction softened by rounded corners and superellipse-like curves. Forms are built from straight segments and rounded-rectangle bowls, with crisp, open apertures and frequent angled cuts that create a fast, aerodynamic rhythm. Counters tend to be rectangular or slot-like, and many joins resolve into clean, slightly squared terminals rather than tapers. The overall impression is compact and engineered, with consistent stroke thickness and a disciplined, modular geometry.
Best suited to headlines, titling, and short bursts of copy where its oblique, squared geometry can project energy and clarity. It works well for logos, esports and sports branding, event posters, product packaging, and interface accents in game or tech UIs. For long-form reading, it will be most effective when used sparingly as a display voice paired with a calmer text face.
The font conveys speed and precision, reading as contemporary and performance-oriented. Its angular cuts and oblique stance add a sense of motion and urgency, while the rounded-rectangle curves keep it approachable rather than harsh. The tone feels at home in digital, automotive, and game-adjacent contexts.
The design appears intended to deliver a modern, motion-forward sans that blends rectangular engineering with rounded, superellipse forms for a streamlined, techy look. Angled cuts and open shapes suggest an emphasis on impact and legibility at display sizes, aiming for a distinctive, performance-themed identity across letters and numerals.
Uppercase and lowercase share a unified geometric logic, giving the alphabet a cohesive, systematized feel. Numerals are similarly constructed with boxy counters and clear segment breaks, emphasizing a technical, display-first character. The spacing and shapes favor bold silhouettes and quick recognition over quiet text neutrality.