Sans Superellipse Omgey 9 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Gridink' by Ckhans Fonts, 'FS Industrie' by Fontsmith, 'PF Handbook Pro' by Parachute, 'DINosaur Sharp' by Type-Ø-Tones, and 'Cervino' by Typoforge Studio (names referenced only for comparison).
Keywords: ui text, branding, product design, signage, editorial, modern, clean, technical, neutral, friendly, clarity, systematic design, approachability, digital-first, neutral tone, rounded, geometric, soft corners, even rhythm, open apertures.
A geometric sans with softly squared, superellipse-like curves and consistently rounded terminals. Strokes are even and calm, with minimal contrast and a tidy, engineered construction. Counters tend toward rounded-rectangle shapes, and curves resolve smoothly into straighter segments, giving letters a slightly “squircle” feel rather than purely circular geometry. Spacing reads balanced and systematic, supporting clear word shapes in both uppercase and lowercase.
This font is well suited to UI and app typography, dashboards, and other screen-heavy contexts where a clean, rounded geometry helps readability and approachability. It can also support contemporary branding systems, packaging, and wayfinding where a modern, engineered look is desired. In editorial settings it works best for headings and short passages where its geometric rhythm can carry the layout without drawing undue attention.
The overall tone is modern and restrained, with a friendly edge coming from the rounded corners and smooth joins. It feels contemporary and utilitarian without becoming cold, suggesting a digital-first, product-oriented sensibility. The rhythm is steady and unobtrusive, suitable for interfaces and information-forward design.
The design appears intended to deliver a contemporary sans that feels precise and systematic while remaining approachable through softened corners and rounded-rectangle forms. Its consistent stroke behavior and geometric construction suggest an emphasis on clarity, cohesion, and a digital-native aesthetic.
Lowercase forms maintain a simple, functional structure with single-storey shapes where expected (notably the ‘a’), and the numerals follow the same rounded, geometric logic as the letters. The design avoids decorative quirks, relying instead on consistent curvature and clean geometry to create personality.