Sans Faceted Ukny 1 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Molde' by Letritas, 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry, 'Kairos Sans' by Monotype, 'Hype vol 2' and 'Hype vol 3' by Positype, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: headlines, sports branding, posters, game ui, logos, sporty, techno, assertive, dynamic, industrial, impact, speed, futurism, toughness, branding, angular, faceted, blocky, compact, slanted.
A heavy, forward-slanted sans with sharp, planar facets replacing most curves. Strokes are thick and largely uniform, with clipped corners and chamfered terminals that create a machined, geometric feel. Counters are tight and angular, and the overall silhouette reads compact despite the broad stance, with squared shoulders and flattened curves across rounds. Numerals and capitals share the same hard-edged construction, producing a consistent, high-impact texture in lines of text.
Best suited to headlines and short display copy where its dense, angular forms can deliver maximum impact. It works well for sports identities, esports and game interface elements, action posters, and tech-forward packaging or promotional graphics. For longer text, it is more likely to function as a punchy accent rather than a primary reading face.
The font projects speed and power, with a sporty, competitive tone reminiscent of motorsport and athletic branding. Its faceted cuts and aggressive slant add a futuristic, engineered attitude that feels bold and no-nonsense. Overall it conveys a loud, action-oriented voice suited to attention-grabbing messages.
The design appears intended to merge a utilitarian sans structure with faceted, beveled geometry to communicate speed, toughness, and engineered precision. The consistent chamfers and slant suggest a focus on branding and display scenarios where a distinctive, high-energy silhouette is more important than quiet neutrality.
The strongest identifying trait is the repeated use of beveled corner cuts, which gives letters a pseudo-3D, stamped-metal impression without adding contrast. Spacing appears tuned for headline use, where the dense shapes and narrow apertures hold together as a solid block of color. The italic angle is consistent and helps unify the rhythm across mixed-case settings.