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Free for Commercial Use

Sans Superellipse Uddaw 2 is a bold, normal width, low contrast, italic, normal x-height, monospaced font visually similar to 'Klamp 205 Mono' by Talbot Type (names referenced only for comparison).

Keywords: ui labels, code samples, terminals, data tables, packaging, techy, playful, retro, utilitarian, friendly, clarity, alignment, ui utility, system feel, approachability, rounded, squared, chunky, compact, soft corners.


Free for commercial use
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This typeface uses heavy, low-contrast strokes with a consistent, monoline rhythm and tightly controlled geometry. Curves resolve into rounded-rectangle and superellipse-like forms, producing squared counters and soft corners across both uppercase and lowercase. The italic slant is uniform and mechanical rather than calligraphic, and the overall spacing reads evenly, reinforcing a systematic, grid-friendly texture. Terminals are blunt and rounded, with simplified joins and sturdy, compact shapes that stay legible at a glance.

It works well in interface labels, dashboards, and settings screens where fixed-width alignment supports scanning and comparison. The sturdy, rounded construction also suits code snippets, terminal-style displays, and data tables that benefit from a uniform cadence. In branding, it can add a tech-forward, playful voice to packaging, posters, and headings where bold, compact forms are desired.

The overall tone feels functional and tool-like, with a friendly softness from the rounded corners. Its slanted, monospaced cadence gives it a coded, typewriter-meets-terminal character, while the chunky silhouettes add a playful, slightly retro edge. The result is approachable and practical rather than refined or delicate.

The design appears intended to combine the discipline of a fixed-width, system-like rhythm with softened superellipse geometry for a more approachable feel. It prioritizes consistent letterfit, strong silhouette clarity, and cohesive alphanumeric texture for UI, technical, and display contexts.

Uppercase forms appear especially solid and blocky, while lowercase maintains the same geometric logic with open, simplified constructions. Numerals match the same squarish rounding and maintain consistent visual weight, helping mixed alphanumeric strings look cohesive. The strong, even color makes it well-suited to short bursts of text where rhythm and alignment matter.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸