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Free for Commercial Use

Sans Other Lywa 9 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Oxford Street' by K-Type, 'DIN 2014' by ParaType, and 'PF DIN Text' by Parachute (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, stenciled, utilitarian, tough, retro, industrial labeling, stencil effect, display impact, compact headlines, cutout, condensed, blocky, monoline, rounded corners.


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A condensed, heavy sans with a stencil-like construction created by deliberate gaps and cut-ins through the strokes. Forms are built from chunky, monoline strokes with softened corners and slightly irregular terminals that feel more cut or stamped than drawn. Counters are compact and the rhythm is tight, while the internal breaks (notably in bowls and along verticals) create strong texture and high visual noise in running text. The overall silhouette stays simple and geometric, but the repeated interruptions give letters a segmented, manufactured look.

Best suited to short, high-impact settings such as posters, bold headlines, packaging callouts, and wayfinding-style signage where the stencil texture can read clearly. It also works well for tags, labels, and industrial-inspired branding where a marked, stamped appearance is desirable, and should be used with more generous sizes and spacing for optimal legibility.

The font reads as industrial and utilitarian, evoking labeling, machinery, and hands-on fabrication. Its broken strokes add a rugged, no-nonsense character with a vintage sign-paint/marking feel, making it more expressive than a standard condensed sans.

The design appears intended to deliver a sturdy, space-efficient headline voice with a built-in stencil/cutout motif. By combining condensed proportions with repeated internal breaks, it aims to signal durability and utility while adding distinctive surface texture to otherwise simple sans letterforms.

The stencil breaks vary by glyph and often sit near structural pinch points (bowls, joints, and mid-stems), which increases recognition at display sizes but can reduce clarity when set small or tightly. Numerals match the same cutout logic, reinforcing a consistent, marked-and-coded aesthetic across text and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸