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Sans Normal Rigaw 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'DIN Next', 'DIN Next Cyrillic', and 'DIN Next Paneuropean' by Monotype; 'Aago' by Positype; 'Core Sans E' by S-Core; 'Anodina' by Stefano Giliberti; and 'Unione' by TOMO Fonts (names referenced only for comparison).

Keywords: ui labels, signage, posters, headlines, branding, modern, friendly, pragmatic, clean, confident, clarity, impact, approachability, neutrality, versatility, rounded, geometric, sturdy, open counters, high legibility.


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A heavy, geometric sans with broadly rounded corners and smooth, even curves. Strokes stay consistent throughout, giving the design a solid, monoline presence, while proportions remain compact and well-balanced. Round letters like C, O, and S are built from near-circular forms with generous interior space; terminals tend to finish bluntly with softened edges. The lowercase is simple and workmanlike, with a single-storey a and g and a large, round dot on i/j that reinforces the soft geometry. Numerals follow the same robust construction, with wide, clear shapes intended to remain distinct at a glance.

This font suits UI labels, navigation, and product interfaces where bold, high-contrast text needs to stay readable quickly. It also performs well for signage, posters, and headline systems that benefit from sturdy, rounded letterforms. The consistent weight and clean geometry make it a reliable choice for modern branding and packaging that requires strong typographic presence.

The overall tone is contemporary and approachable, pairing a friendly roundness with a no-nonsense weight. It reads as straightforward and dependable rather than expressive, making it feel suitable for everyday interface and brand communications that want warmth without informality.

The design appears intended to deliver maximum readability and impact with a softened geometric voice—combining strong stroke weight and simple construction with rounded details to keep the texture friendly and contemporary.

Wide apertures and open counters help preserve clarity in dense settings, while the softened corners reduce the harshness typical of very heavy grotesques. The rhythm is steady and even, producing a cohesive texture in paragraph-like lines as shown in the sample text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸