Sans Superellipse Okgid 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Boxed' and 'Boxed Round' by Tipo Pèpel, and 'Breuer Text' by TypeTrust (names referenced only for comparison).
Keywords: ui labels, headlines, branding, signage, packaging, modern, friendly, clean, technical, confident, clarity, approachability, system design, readability, modernity, rounded, geometric, compact, blunt, even.
A sturdy sans with softly squared, superellipse-like curves and consistently rounded corners. Strokes are uniform with little visible modulation, producing dense, solid letterforms and clear, open counters. Proportions feel compact in the curves and straighter on verticals, with generous apertures on letters like C, S, and e, and a pragmatic, high-clarity construction overall. Numerals are similarly robust and rounded, with simple, workmanlike shapes that keep their interiors open at display and text sizes.
This style suits interface typography, app and dashboard labeling, and other screen-forward design where sturdy shapes and open counters help quick recognition. It also performs well in headlines, logos, and packaging that benefit from a contemporary, friendly geometric voice, and it can scale up for signage where its rounded corners maintain a clean silhouette.
The tone is modern and approachable while staying matter-of-fact and utilitarian. Its rounded-rectangle geometry gives it a friendly softness, but the weight and compact rhythm add authority and a contemporary, product-oriented feel.
The design appears intended to balance geometric clarity with softened forms, offering a contemporary sans that feels approachable without losing structure. Its consistent stroke behavior and rounded-rect geometry suggest a focus on reliable readability and a cohesive, modern visual system.
Terminals tend to end in blunt, rounded cuts rather than sharp points, which reduces visual noise and helps maintain a smooth texture in paragraphs. Curved joins and corners are consistently treated across caps, lowercase, and figures, giving the design a cohesive, system-like appearance.