Sans Superellipse Ogmef 8 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Cybersport' by Anton Kokoshka, 'Protrakt Variable' by Arkitype, 'B52' by Komet & Flicker, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, logos, signage, packaging, tech, industrial, sporty, utilitarian, retro-futurist, impact, clarity, modernize, systematize, soften edges, rounded corners, squared bowls, compact, blocky, high contrast shapes.
A heavy, squared sans with generously rounded corners and a distinctly superelliptical construction. Strokes are consistently thick with minimal modulation, and curves resolve into rounded-rectangle bowls rather than circular forms. Terminals are blunt and softened, producing a sturdy, compact texture with relatively tight internal counters (notably in B, 8, and 9). The lowercase is simple and mechanical, with single-storey a and g, a short-armed t, and a clean, squared-shoulder n/m that reinforces the geometric rhythm.
This font works best for short, high-impact settings such as headlines, brand marks, packaging callouts, and environmental or wayfinding text where a strong, friendly-industrial presence is desired. It can also suit UI labels, dashboards, and tech-themed graphics when used at larger sizes to preserve counter clarity.
The overall tone is functional and engineered, combining a contemporary tech feel with a subtle retro display flavor. Its softened corners keep it approachable, while the blocky structure and dense color read as confident and assertive.
The design appears intended to deliver a robust geometric voice built from rounded rectangles—balancing strict modular construction with softened edges for readability and approachability. It emphasizes consistency across caps, lowercase, and numerals to create a cohesive, system-like typographic palette.
Uppercase forms are particularly uniform and modular, with rounded-rectangle O/Q and a Q tail that sits inside the bowl. Numerals follow the same squarish, softened logic, and the 1 is a simple vertical with minimal detailing, reinforcing a signage-like simplicity. In longer text the heavy weight creates a strong typographic voice, best used with generous tracking and leading when set in paragraphs.