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Sans Superellipse Penak 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Folio EF' by Elsner+Flake, 'MARLIN' by Komet & Flicker, 'Folio' by Linotype, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Folio' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, assertive, industrial, retro, punchy, compact, space-saving impact, display emphasis, sturdy clarity, brand presence, blocky, condensed, rounded corners, compact counters, signage-ready.


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A compact, heavy sans with squared-off proportions softened by rounded-rectangle curves. Strokes stay consistently thick, with tight internal counters and minimal apertures that create dense, sturdy word shapes. Terminals are blunt and uniform, and many forms lean on vertical sides and softened corners rather than circular geometry. The overall rhythm is compressed and tall, giving the alphabet a stacked, poster-like presence while keeping curves controlled and clean.

Best suited to display roles where impact matters: headlines, posters, labels, and bold callouts in layouts. It also fits signage and wayfinding where a condensed, high-presence style is desirable, and can work well for logos and wordmarks that need a tough, compact silhouette.

The tone is bold and no-nonsense, projecting strength and urgency with a distinctly utilitarian feel. Its rounded corners temper the hardness just enough to read as friendly-industrial rather than harsh, evoking sports branding, packaging, and mid-century display lettering. The condensed build adds intensity and a sense of efficiency, making messages feel direct and emphatic.

The design appears intended to deliver maximum visual weight in a narrow footprint, using superelliptical, rounded-rectangle forms to keep the texture cohesive and modern. It prioritizes punchy, space-efficient readability and a consistent, industrial character across letters and numerals.

The lowercase maintains a simplified, sturdy construction with short joins and compact bowls, while numerals follow the same squared, rounded-corner logic for consistent texture in mixed settings. Because counters are tight and strokes are dense, it performs best when given adequate size and breathing room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸