Wacky Fenen 2 is a light, normal width, high contrast, upright, normal x-height font.
Keywords: posters, book covers, film titles, game titles, packaging, mystical, quirky, enigmatic, gothic-tinged, handmade, visual texture, thematic titling, standout display, quirky ornament, decorative, ornate, distressed, spiky, calligraphic.
A decorative serif with sharp, wedge-like terminals and a high-contrast, display-oriented build. The letterforms mix classical capitals and oldstyle-inspired lowercase structures, but they’re disrupted by irregular interior cutouts and ink-break details that read like cracks, inlays, or marbling within the strokes. Curves are crisp and somewhat angular, counters are frequently interrupted, and several glyphs show asymmetrical, customized detailing that makes widths and rhythm feel intentionally uneven. Figures and capitals have strong silhouettes, while smaller lowercase forms carry the same internal ornament, increasing texture and visual noise at text sizes.
Best suited to display settings such as posters, title treatments, book and album covers, and fantasy/horror-adjacent branding where texture and character are more important than long-form readability. It can also work for short pull quotes, chapter openers, and packaging callouts when set large with generous tracking.
The overall tone is uncanny and whimsical at once—ornamental, slightly eerie, and intentionally odd. The broken-internals and spiky accents suggest occult, fantasy, or “mysterious artifact” styling, while the inconsistent detailing keeps it playful rather than formal.
The design appears intended to fuse classic serif silhouettes with disruptive, irregular interior ornamentation, creating a one-off display face that feels like refined typography that has been intentionally “corrupted” or inlaid with pattern for thematic effect.
In continuous text, the repeated interior breaks create a busy, patterned color that can overpower spacing and reduce legibility, especially in small sizes or dense paragraphs. The font reads best when given room to breathe and when the decorative interiors can be perceived as intentional texture rather than accidental damage.