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Slab Contrasted Ugso 8 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Lagu Serif' by Alessio Laiso Type; 'MartiniThai Neue Slab V2' by Deltatype; 'Shandon Slab' by Hoftype; 'Martini' by Katatrad; 'Amasis', 'Amasis eText', 'Polyphonic', and 'Prelo Slab Pro' by Monotype; and 'Quint' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, editorial, packaging, branding, confident, heritage, assertive, collegiate, impact, readability, tradition, authority, warmth, slab serifs, bracketed, chunky, rounded, compact joints.


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A sturdy serif design with pronounced slab-like serifs and softly bracketed joins that keep the heavy shapes from feeling abrupt. Strokes are broad and confident with a moderate amount of contrast, and curves are generously rounded, especially in bowls and counters. Capitals are wide and blocky with strong horizontals, while the lowercase maintains a steady, readable rhythm with simple, robust forms. Numerals are equally weighty and open, matching the overall color and giving the face a dense, poster-ready texture in text.

Best suited to headlines, decks, and short blocks of copy where its strong serifs and dense color can provide authority and presence. It also works well for branding, packaging, and signage that calls for a traditional yet approachable voice, and for editorial layouts where a confident slab serif can anchor hierarchy.

The font conveys a classic, institutional confidence—solid, dependable, and slightly nostalgic. Its heavy slabs and broad proportions lend it a headline-first personality that feels at home in editorial and collegiate atmospheres, with a friendly softness in the rounding that tempers the impact.

The design appears intended to deliver a bold, readable slab-serif voice with a classic flavor—built for impact and clarity in display settings while remaining coherent in larger text sizes. Its bracketed slabs and rounded shaping suggest an aim for warmth and familiarity without sacrificing weight and structure.

The heavy serifs and rounded terminals create a consistent, dark typographic color, making the face visually prominent at display sizes. The design reads as structured and stable rather than delicate, with an emphasis on sturdy silhouettes and clear counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸