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Free for Commercial Use

Sans Normal Mukab 20 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'FS Jack' by Fontsmith, 'Croma Sans' by Hoftype, 'Mohr' by Latinotype, 'Isard' and 'Isard Hebrew Latin' by Letterjuice, 'Karibu' by ROHH, and 'Byker' and 'Nauman Neue' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, kids media, playful, friendly, chunky, retro, bold, attention grabbing, friendly display, retro flavor, playful branding, rounded, soft corners, bulky, bouncy, cartoony.


Free for commercial use
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This typeface is built from heavy, rounded shapes with broad curves and softly tapered joins, creating a chunky, high-impact texture. Counters are compact and often slightly teardrop-like, while terminals feel blunted rather than sharp, giving the forms a plush silhouette. The overall rhythm is energetic: widths vary noticeably from glyph to glyph, and several characters show subtle, intentional quirks in curvature and stroke junctions that keep the word shape lively. Numerals follow the same robust, rounded construction, with clear, simplified silhouettes designed for display sizes.

Best suited to large-scale display use such as posters, headlines, logo wordmarks, and bold brand statements where its mass and roundness can be appreciated. It also fits packaging and entertainment contexts that benefit from a friendly, upbeat voice, especially when set with generous spacing and short line lengths.

The font projects a buoyant, good-humored tone that reads as approachable and a bit mischievous. Its inflated weight and rounded forms suggest a casual, fun-forward personality with a retro poster sensibility rather than a neutral corporate voice.

The design appears intended to deliver maximum visual impact with a soft, rounded, approachable silhouette, trading typographic neutrality for character. Its construction emphasizes bold shapes and playful nuance to create memorable display typography.

At text sizes the dense color and tight interior spaces can make long passages feel heavy, but in headlines it creates strong presence and distinctive word shapes. The slightly irregular detailing adds character without breaking legibility in short bursts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸