Stencil Tise 1 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Peridot Latin' and 'Peridot PE' by Foundry5, 'HD Colton' by HyperDeluxe, 'Nuber Next' by The Northern Block, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, logos, sports branding, packaging, industrial, sporty, tactical, loud, retro, impact, branding, stencil utility, speed emphasis, graphic texture, slanted, blocky, compact counters, sharp, angular.
A heavy, slanted sans with broad, blocky letterforms and tightly managed counters. Stencil breaks appear as consistent horizontal and diagonal bridges that slice through bowls and joins, creating strong internal rhythm without losing overall silhouettes. Terminals are mostly flat and abrupt, with angular cut-ins and occasional notches that reinforce a machined, constructed feel. Spacing reads sturdy and headline-oriented, with dense black shapes and minimal interior openings that emphasize mass over delicacy.
Best suited to display settings such as posters, event graphics, brand marks, and bold packaging where the stencil cuts can act as a visual signature. It can also work for short UI labels or wayfinding-style callouts when used at larger sizes and with adequate spacing. For long passages, it functions more as a stylistic accent than a primary text face.
The overall tone is assertive and engineered, suggesting industrial labeling, tactical gear, and high-impact sports branding. Its slant and stencil fragmentation add speed and urgency, while the chunky forms keep it grounded and forceful. The mood leans utilitarian and attention-grabbing rather than refined or conversational.
The design appears intended to merge a robust, wide-shouldered sans with a repeatable stencil system, delivering impact while retaining recognizable letter shapes. The consistent bridges and pronounced slant suggest an emphasis on speed, machinery, and applied graphics—built for statements and branding rather than subtlety.
The stencil logic is especially prominent in round characters and figures, where the breaks create distinctive internal bands that can become a key graphic motif in layouts. Because of the thick strokes and small counters, clarity improves when set larger or with generous tracking, particularly in dense text blocks.