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Sans Other Elty 3 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Bahoda' by 160 Std, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Logik' by Monotype, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).

Keywords: sports branding, motorsport, headlines, posters, logos, futuristic, racing, aggressive, techno, industrial, speed, impact, sci-fi, mechanical, branding, slanted, angular, cut-in, stencil-like, compact counters.


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A heavy, forward-slanted sans with broad, low-slung proportions and sharply cut terminals. Letterforms are built from thick, continuous strokes interrupted by frequent diagonal notches and horizontal slices, producing a semi-stenciled, segmented rhythm. Counters are compact and often squared-off, with rounded-rectangle bowls in letters like D, O, and P that are tightened by internal cut-ins. Diagonals are prominent across A, K, V, W, X, Y, and Z, reinforcing a fast, directional geometry, while numerals echo the same chamfered, sliced construction for consistency.

Best suited to display applications where speed and impact are desired: sports and racing identity, event posters, gaming and tech-themed graphics, apparel, and bold logo wordmarks. It can also work for short UI labels or interface-style headings when set large enough for the internal cuts to remain legible.

The overall tone reads as fast, assertive, and engineered—suggesting motorsport graphics, sci‑fi interfaces, and industrial branding. The repeated cuts and forward lean add urgency and motion, giving the font a punchy, high-impact voice rather than a neutral one.

The design appears intended to deliver a kinetic, high-performance aesthetic through a strong forward slant and a consistent system of sliced, chamfered detailing. By combining wide silhouettes with engineered cut-ins, it aims to feel modern, mechanical, and attention-grabbing in branding and titling contexts.

The distinctive mid-stroke breaks can reduce clarity at small sizes, but they also create a memorable texture in display settings. The system of angled incisions is applied consistently across uppercase, lowercase, and figures, yielding a cohesive, emblem-like look that favors headlines and short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸