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Free for Commercial Use

Sans Superellipse Idkok 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Allotrope' by Kostic, 'Avenir Next' and 'Avenir Next Paneuropean' by Linotype, 'Fact' by ParaType, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, playful, punchy, retro, friendly, bold, impact, friendliness, brand voice, retro feel, simplicity, rounded, blocky, soft corners, compact, sturdy.


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A heavy, blocky sans with superelliptical geometry: broad, rounded-rectangle curves paired with crisp, flat terminals. Counters are relatively small and tightly enclosed, giving the letters a compact, high-ink silhouette with strong color on the page. Rounds like C, O, and G read as squarish bowls with softened corners, while straight-sided forms (E, F, H, N) stay rigid and rectangular. Joins are sturdy and simplified, and the overall rhythm favors chunky shapes with minimal internal detailing for maximum impact.

Best suited to display sizes where its dense weight and squarish rounded forms can act as a graphic element—headlines, posters, packaging, and bold logo wordmarks. It also works well for short bursts of text in signage or UI banners where strong contrast against the background and quick readability are priorities.

The tone is confident and upbeat, with a friendly, toy-like softness that keeps the weight from feeling harsh. Its squarish rounds and compact counters create a retro display energy—fun, loud, and attention-grabbing—while remaining straightforward and approachable.

The font appears designed to deliver maximum visual punch with a soft-edged, geometric personality—combining squared-off construction with rounded corners to feel both sturdy and inviting. Its simplified shapes and compact counters suggest an emphasis on bold branding and headline presence rather than extended reading.

The design shows deliberate squaring of curves and generous corner rounding, producing a consistent superellipse feel across letters and numerals. Lowercase forms stay robust and simplified (single-storey a, compact e), and the figures are similarly hefty and billboard-ready, emphasizing immediate recognition over fine typographic nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸