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Sans Normal Myrar 6 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'ATF Franklin Gothic' by ATF Collection, 'Jacquot Sans' by BRCH Studio, 'Levnam' by ParaType, 'A Grotesk' by Roman Cernohous Typotime, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Gymkhana' by Typodermic, 'Barranco' by W Type Foundry, and 'Body' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, retro, punchy, robust, display impact, friendly tone, geometric clarity, brand presence, rounded, blocky, soft-cornered, compact, high-impact.


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A heavy, rounded sans with broad proportions and compact internal counters that stay open despite the weight. Curves are built from smooth, near-circular bowls with softened corners, while straight strokes terminate in clean, blunt ends. The overall rhythm is sturdy and even, with simple, geometric construction in letters like C, G, O, and S, and a slightly squared feel where curves meet stems. Numerals follow the same chunky, rounded logic, producing dense, highly legible figures at display sizes.

This font is best suited to display roles such as headlines, posters, logo and brand marks, packaging, and short, emphatic messaging where weight and presence are assets. It can also work for bold UI labels or wayfinding when generous spacing is available, as its dense shapes benefit from breathing room.

The tone is bold and upbeat, combining a friendly softness with an assertive, attention-grabbing presence. Its rounded geometry gives it an approachable, slightly nostalgic flavor, while the heavy color and wide stance keep it loud and confident in headlines.

The design appears intended to deliver maximum impact with a friendly, rounded geometric structure—prioritizing strong silhouettes, consistent stroke behavior, and clear readability at large sizes. It aims for a contemporary-retro display feel that stays clean and utilitarian rather than ornamental.

Lowercase forms appear single-storey where expected and lean toward compact apertures, which helps maintain a solid, poster-like texture in paragraphs. The design favors simple, high-clarity silhouettes over delicate detailing, making it read as a strong graphic voice rather than a subtle text face.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸