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Free for Commercial Use

Sans Normal Ladil 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Myriad', 'Myriad Bengali', and 'Myriad Devanagari' by Adobe; 'Malva' by Harbor Type; and 'Altivo' by Kostic (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, social ads, sporty, playful, dynamic, friendly, retro, impact, energy, approachability, headline clarity, branding, oblique, chunky, rounded, bouncy, compact.


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A heavy, oblique sans with rounded, somewhat compressed counters and broad, soft joins that keep the dense weight from feeling harsh. Curves are smooth and full (notably in O, C, S), while diagonals have a slightly cut, chiseled feel that adds snap to forms like K, V, W, X, and Z. Terminals tend to be blunt and subtly angled, reinforcing forward motion, and the overall rhythm feels punchy and compact, with clear differentiation between similar shapes (e.g., 0 vs O, 1 with a strong angled head). Numerals are sturdy and headline-oriented, with simple silhouettes designed to hold up at large sizes.

Best suited to headlines, short slogans, and display settings where bold, energetic emphasis is desired. It works well for sports-leaning branding, event promotions, packaging callouts, and social or digital ads that need a strong, friendly voice. In longer passages, it will be most effective when used sparingly for emphasis due to its heavy weight and pronounced slant.

The font conveys speed and confidence with a buoyant, upbeat tone. Its strong slant and chunky presence read as energetic and informal, lending a sporty, poster-like character rather than a quiet editorial voice. The rounded construction keeps it approachable, giving it a friendly, crowd-pleasing feel.

The design appears intended to deliver a fast, assertive display presence with approachable rounded forms. By combining a strong slant, compact counters, and blunt angled terminals, it aims to stay highly legible at large sizes while projecting motion and excitement.

Lowercase forms show simplified, single-storey constructions (e.g., a, g) that emphasize clarity and bold impact over typographic delicacy. The diagonal stress and angled terminals create a consistent forward-leaning texture across both capitals and lowercase, producing a lively line of text with strong word shapes in short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸