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Free for Commercial Use

Sans Normal Ofgir 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Conamore' by Grida, 'Whitney' by Hoefler & Co., 'NuOrder' by The Northern Block, 'LFT Etica' by TypeTogether, 'TT Norms Pro' by TypeType, and 'Hartwell' by W Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, friendly, playful, chunky, retro, bubbly, approachability, high impact, distinctiveness, display clarity, brand voice, soft corners, round counters, ink-trap feel, compact, heavy punctuation.


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A heavy, rounded sans with compact proportions and broad, even strokes. Curves are generously inflated and terminals are softly squared rather than sharply cut, giving the letterforms a cushioned silhouette. Counters stay fairly open for the weight, while several joins and internal corners show small notch-like cut-ins that read like subtle ink-trap detailing. Spacing and rhythm feel sturdy and deliberate, producing a dense, poster-ready texture with consistent, geometric roundness across caps, lowercase, and numerals.

Best suited to display roles such as posters, big headlines, branding marks, packaging, and short, emphatic callouts. It can also work for signage and social graphics where a friendly, bold voice is needed, especially when set with ample spacing and clear contrast against the background.

The overall tone is upbeat and approachable, leaning toward a retro display sensibility. Its chunky shapes and soft edges project warmth and confidence rather than severity, making it feel conversational and slightly whimsical at larger sizes. The notched joins add a touch of character that keeps the texture lively and distinctive.

The design appears intended to deliver a bold, approachable voice with rounded geometry and a distinctive internal-corner treatment that improves clarity and adds personality at heavy weights. It prioritizes impact and friendliness over neutrality, aiming for memorable, high-visibility typography in brand and editorial display contexts.

Uppercase forms are broad and stable with strong vertical presence, while lowercase maintains similar weight and a solid baseline feel. Numerals match the rounded, heavy construction and read best when given generous size and breathing room. The design’s characterful notches become more apparent in larger settings, where they add texture without turning into ornament.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸