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Free for Commercial Use

Sans Normal Lugid 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Newhouse DT' by DTP Types; 'Helen Bg' by HS Fonts; 'Urania' by Hoftype; 'Neue Helvetica', 'Neue Helvetica Armenian', and 'Neue Helvetica Paneuropean' by Linotype; 'Helvetica Now' by Monotype; 'Eloquia' by Typekiln; and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, energetic, friendly, modern, impact, momentum, visibility, display, modernity, slanted, heavyweight, rounded, compact, punchy.


Free for commercial use
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A heavy, right-slanted sans with broad proportions and smooth, rounded construction. Strokes are largely uniform, giving a dense, poster-like color, while counters stay open enough to remain legible at large sizes. Terminals are clean and blunt, with minimal detailing; curves are generous and corners feel softened rather than sharp. The uppercase reads sturdy and stable, and the lowercase follows the same robust logic with simple, single-storey forms and a strong, continuous rhythm.

Best suited for headlines, posters, and high-impact branding where a strong, forward-leaning voice is desired. It will also work well on packaging and promotional materials that benefit from compact, attention-grabbing letterforms. For longer passages, it’s most effective when used as display text rather than body copy.

The overall tone is bold and energetic, with a forward-leaning motion that suggests speed and confidence. Its rounded shapes keep it approachable, balancing aggression with a friendly, contemporary feel. The result lands in a sporty, promotional register rather than a formal or editorial one.

The design appears intended to deliver maximum impact with a sense of motion—combining broad, rounded letterforms with a consistent slant to create a bold, contemporary voice. It prioritizes immediacy and presence, aiming to read quickly and feel energetic in advertising and branding contexts.

The numerals and capitals carry a strong, graphic presence suitable for big sizes, and the slant is consistent across the set, reinforcing a sense of momentum. Spacing appears designed to hold together in dense settings, producing a solid, impactful texture in paragraphs of display copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸