Sans Superellipse Vebak 2 is a light, very wide, low contrast, upright, tall x-height font.
Keywords: ui headings, tech branding, signage, packaging, posters, futuristic, tech, minimal, clean, geometric, geometric system, modern clarity, softened tech, rounded corners, monoline, extended, open counters, soft square.
A monoline sans built from soft-rectangular (superellipse) curves and squared-off rounds, with consistently rounded corners and smooth joins. Proportions run extended, giving letters a wide stance and generous internal space; round glyphs like O and Q read as rounded rectangles rather than circles. Terminals are clean and mostly horizontal/vertical, with simplified construction in diagonals and bowls that keeps rhythm even across text. The lowercase is compact and mechanical with single-storey forms and open apertures, while numerals and punctuation follow the same rounded-rect geometry for a cohesive set.
This style suits technology and product branding, interface titling, dashboards, and modern signage where a clean, structured voice is needed. It also performs well in posters and packaging that benefit from a contemporary, geometric look with softened edges.
The overall tone feels futuristic and engineered—sleek, calm, and system-like rather than expressive or calligraphic. Its softened corners add approachability to an otherwise technical, sci‑fi flavor, making it read as modern and digital without becoming aggressive.
The letterforms suggest an intention to merge geometric precision with friendly rounded corners, producing a contemporary superellipse aesthetic optimized for clear, modern display typography. The consistent stroke behavior and repeated rounded-rectangle construction point to a system-driven design meant to feel cohesive across headlines, labels, and numerals.
The design leans on repeated motifs: squared curves, flat-ish shoulders, and consistent corner radii, which create a uniform texture at display sizes. In running text, the extended widths and open counters support clarity, while the rounded-rectangle skeleton gives a distinctive “interface” character.