Sans Normal Utkab 13 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Deja Rip' by Anatoletype, 'Safran' by Hubert Jocham Type, 'Copihue' by Letritas, 'Marat Sans' by Ludwig Type, 'Adagio Sans' by Machalski, and 'Mato Sans' by Picador (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, ui labels, modern, friendly, casual, energetic, clean, built-in emphasis, approachability, modern clarity, display versatility, rounded, oblique, soft terminals, open counters, lively rhythm.
This typeface is a slanted sans with rounded, smooth construction and a gently geometric skeleton. Strokes appear monolinear with low contrast, and most terminals end cleanly without sharp cuts, giving a soft, polished feel. Uppercase forms are compact and slightly wide in their curves, while the lowercase shows a steady, readable x-height with open counters and clear differentiation between similar shapes. The italic angle is consistent across letters and numerals, producing a cohesive forward motion and an even typographic color in text.
It performs well in branding and headline work where a modern, friendly italic voice is needed, and it can add energy to posters, packaging, and promotional graphics. The clear lowercase and open counters also make it suitable for short UI labels, navigation, and callouts where compact, slanted emphasis is desirable.
The overall tone feels contemporary and approachable, with a subtle sporty momentum from the consistent slant. Rounded curves and open forms keep it friendly rather than technical, making it feel informal and upbeat while still staying tidy and controlled.
The design appears intended to deliver a clean sans voice with built-in emphasis through a stable oblique stance, balancing geometric roundness with practical legibility. It aims to feel contemporary and approachable, offering an energetic texture without relying on decorative details.
Numerals share the same smooth, rounded logic and read clearly at display sizes, with a uniform rhythm that suits sequences and headings. The glyph set shown maintains consistent stroke weight and curvature, helping mixed-case settings look coherent and uncluttered.