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Free for Commercial Use

Sans Superellipse Tuda 4 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Fairweather' by Dharma Type, 'CF Blast Gothic' by Fonts.GR, 'Cairoli Now' by Italiantype, and 'CG Gothic' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, signage, raw, poster-like, handmade, rustic, punchy, handmade feel, vintage display, ink-pressed look, compact impact, condensed, rounded, blunt, wobbly, textured.


Free for commercial use
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This typeface presents a compact, tightly set silhouette with tall, condensed proportions and chunky strokes. Curves and counters are built from softened, rounded-rectangle geometry, giving letters like O, C, and G a squarish roundness rather than a true circle. Edges are intentionally irregular with subtle waviness and uneven terminals, producing a printed/pressed texture while keeping overall forms clear and consistent. Spacing and widths vary slightly across characters, reinforcing an organic, hand-rendered rhythm.

Best suited for display settings where impact matters: posters, headlines, short editorial bursts, packaging, and product labels. It also works well for signage-style graphics and branding accents that benefit from a handcrafted, inked look. Use with more open leading or generous tracking when longer lines are required.

The overall tone feels gritty and handcrafted—confident, a bit rough, and attention-grabbing. Its condensed stance and heavy presence read as assertive and utilitarian, evoking vintage packaging, DIY signage, and bold editorial callouts rather than polished corporate minimalism.

The design appears intended to combine condensed display efficiency with a handmade, ink-pressed character. By pairing rounded-rectangle construction with purposeful irregularity, it aims to feel bold and approachable while retaining a rugged, analog personality.

The lowercase is simple and sturdy, with single-storey forms and minimal ornament, while punctuation and numerals follow the same blunt, slightly distressed construction. The narrow set and tight internal counters can feel dense at smaller sizes, but the distinctive texture becomes a strong asset when scaled up.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸