Sans Normal Orron 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Copperplate New' by Caron twice, 'Hanley Pro' by District 62 Studio, 'Basic Sans Cnd' by Latinotype, and 'Antique Olive' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, approachable, punchy, warmth, impact, clarity, modernity, simplicity, rounded, geometric, smooth, soft corners, generous curves.
A heavy, rounded sans with smooth, geometric construction and a consistent, low-contrast stroke. Counters are generally open and circular, with broad bowls and softly finished terminals that keep the texture dense but not cramped. Uppercase forms read sturdy and straightforward, while the lowercase shows compact, simplified shapes (notably single-storey-style forms and rounded joins) that maintain an even rhythm. Numerals follow the same chunky, rounded logic, with large interior counters and stable, billboard-like silhouettes.
Best suited to headlines and display settings where its weight and rounded geometry can be appreciated—such as posters, branding systems, packaging, and prominent UI or signage labels. It can work for short paragraphs when set with comfortable line spacing, but it is most effective for titles, callouts, and bold typographic statements.
The overall tone is friendly and contemporary, projecting clarity and confidence without feeling rigid. Its rounded geometry gives it an approachable, slightly playful character, making it feel welcoming while still reading as purposeful and modern.
The font appears designed to deliver a clean, contemporary sans voice with softened geometry—prioritizing strong readability through simple shapes while adding warmth via rounded curves and terminals. Its intent feels geared toward impactful, friendly display typography that remains legible and organized across a range of sizes.
The design favors strong silhouettes and clear internal shapes, which helps it hold up when enlarged. At smaller sizes the tight massing and roundness can create a darker text color, so it tends to look best when given breathing room through spacing and layout.