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Free for Commercial Use

Sans Superellipse Embok 4 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'FS Industrie', 'FS Joey', 'FS Joey Paneuropean', and 'FS Truman' by Fontsmith; 'Interval Next' by Mostardesign; 'Modal' by Schriftlabor; 'Lintel' by The Northern Block; 'Centrale Sans Condensed' by Typedepot; and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: branding, ui text, packaging, signage, headlines, modern, clean, efficient, techy, neutral, clarity, modernization, approachability, motion, monoline, oblique, rounded, geometric, open counters.


Free for commercial use
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This typeface is a slanted, monoline sans with gently rounded corners and softly squared (superelliptic) curves. Strokes stay even and dark, with compact curves and open counters that keep forms clear at display sizes. Uppercase shapes are broad and simple, while the lowercase shows a single-storey a and g, a rounded, roomy e, and a compact, practical rhythm. Numerals are straightforward and sturdy, matching the same rounded-rectangular geometry and consistent stroke endings.

It suits contemporary branding, product identity, and interface typography where a clean, slightly energetic italic voice is useful. The even stroke weight and open counters make it a good fit for short paragraphs, labels, navigation, and signage, and it works especially well for headlines and callouts that benefit from a forward-moving slant.

The overall tone is modern and utilitarian, with a slightly dynamic, forward-leaning feel from the italic slant. Its rounded geometry reads approachable rather than sharp, while the even strokes and tight construction keep it disciplined and technical.

The design appears intended to blend geometric clarity with a softer, rounded-rectangle construction, producing an italic sans that feels both modern and approachable. It prioritizes consistent rhythm and crisp silhouettes for clear, contemporary communication.

The diagonal stress from the slant is consistent across letters and figures, giving lines of text a smooth, continuous motion. Terminals are clean and mostly unadorned, and the counters remain legible despite the compact, geometric shaping.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸