Sans Normal Ohkaw 14 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Muller' by Fontfabric and 'MN Grissee' and 'MN Grissee Pro' by Mantra Naga Studio (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, assertive, friendly, clean, utilitarian, clarity, impact, versatility, modernity, geometric, high contrast-free, rounded counters, compact spacing, solid.
This typeface presents sturdy, even-weight strokes with a clean geometric construction. Curves are smooth and broadly circular, with generous, open counters in letters like O, C, and G, while straight-sided forms (E, F, H, N) keep a crisp, engineered rhythm. Terminals are predominantly flat and squared, producing a firm texture, and the overall spacing reads slightly compact at display sizes, creating a dense, impactful word shape. Numerals follow the same straightforward geometry, with simplified, high-clarity forms and consistent stroke presence across the set.
It works especially well for headlines and short blocks where a strong, compact texture is desirable, such as posters, packaging, and brand wordmarks. Its simple geometry and sturdy punctuation also make it a good candidate for signage and interface labels where clear recognition at a glance matters.
The overall tone is contemporary and confident, balancing a friendly roundness in the bowls with a no-nonsense, practical finish in the terminals. It feels direct and legible, suited to messaging that needs to read as clear, modern, and dependable rather than decorative or delicate.
The design intention appears to be a versatile geometric sans that prioritizes clarity and impact through uniform stroke weight and simplified shapes. By combining rounded counters with squared terminals and restrained detailing, it aims to feel modern, reliable, and easy to set across a wide range of display and functional contexts.
The design emphasizes stable verticals and simple joins, giving lines of text a strong, uniform color. Round letters stay very circular, and diagonals (V, W, X, Y) are bold and prominent, adding a slightly energetic cadence in mixed settings. The sample text shows the face maintaining clarity in long pangram lines, with punctuation and dots holding up without becoming visually fussy.