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Free for Commercial Use

Sans Superellipse Hunil 9 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'FF Clan' by FontFont; 'Cantiga' by Isaco Type; 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix; and 'LFT Etica' by TypeTogether (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, impactful, industrial, sporty, poster-like, confident, space saving, high impact, geometric branding, display clarity, condensed, blocky, squared curves, compact, vertical stress.


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A compact, condensed sans with heavy, uniform strokes and rounded-rectangle (superellipse) shaping throughout. Curves are tightened into squarish bowls and counters, giving letters like O/C/G a soft-cornered, geometric feel rather than fully circular forms. Terminals are mostly flat and blunt, joins are sturdy, and interior counters are relatively small, producing a dense, high-ink texture. The lowercase shows a tall x-height with simple, single-storey forms and minimal articulation, and the numerals follow the same blocky, rounded-corner logic for a consistent set.

This font excels in short, high-impact settings such as posters, headlines, and bold typographic lockups. It also fits sports branding, product packaging, and signage where a condensed footprint and strong presence help text stay prominent in limited space.

The overall tone is bold and assertive, with a utilitarian, no-nonsense voice. Its condensed proportions and compact counters create an energetic, “packed” rhythm that feels sporty and industrial, suited to attention-grabbing statements rather than quiet reading.

The design appears intended to deliver maximum visual punch in a narrow measure, using superelliptical geometry to keep the forms friendly while remaining tough and compact. Its simplified, sturdy letterforms prioritize clarity in display contexts and a consistent, engineered rhythm across caps, lowercase, and figures.

At larger sizes the superelliptical curves and squared-off bowls become a defining stylistic signature; at smaller sizes the tight counters and heavy weight can cause forms to fill in and reduce internal detail. The design reads best when given breathing room in line spacing and when tracking is kept slightly open for longer strings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸