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Free for Commercial Use

Sans Superellipse Sodan 16 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'ITC Franklin' by ITC, 'Interval Next' by Mostardesign, 'Belle Sans' by Park Street Studio, 'MaryTodd' by TipoType, and 'Marble' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, confident, sporty, retro, punchy, industrial, impact, space-saving, brand voice, signage clarity, geometric softness, condensed, blocky, rounded corners, softened, compact.


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A compact, heavy display sans with squared, superellipse-based curves and subtly rounded corners. Strokes are thick and even, with tight apertures and compact internal counters that create a dense texture at text sizes. The design favors sturdy verticals, flattened curves (notably in C, G, S, and 0), and broad, simplified joins that keep the silhouettes bold and legible. Lowercase forms are straightforward and sturdy with minimal modulation, while numerals and capitals maintain a consistent, block-like rhythm.

Best suited for headlines, short statements, and branding where maximum impact is needed in limited horizontal space. It works especially well for posters, packaging fronts, labels, wayfinding, and sports or event graphics where bold shapes and compact width improve visibility. In longer text, it performs better in brief callouts, subheads, or UI badges rather than continuous reading.

The overall tone is assertive and high-impact, with a friendly softness from the rounded geometry. It reads as energetic and attention-grabbing, leaning toward athletic and industrial signage aesthetics rather than delicate or formal typography.

The font appears designed to deliver a strong, condensed voice with rounded-rectangle construction, balancing toughness with approachable curves. Its emphasis on compact proportions and sturdy counters suggests an intention to remain clear and iconic under demanding display conditions such as signage and promotional typography.

Spacing and proportions emphasize a tight, poster-ready color, and the squarish rounds give the alphabet a cohesive, engineered feel. The strong, simplified shapes help withstand reproduction at distance, while the dense counters suggest using ample tracking when set in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸