Sans Superellipse Ukbas 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Neuron' by Corradine Fonts, 'Pierce Jameson' by Grezline Studio, 'EFCO Growers' by Ilham Herry, 'Plexes Pro' by Monotype, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, gaming ui, techy, industrial, sporty, bold, playful, high impact, modern branding, geometric utility, display emphasis, squared, rounded corners, compact, blocky, stencil-like.
A heavy, blocky sans with squared construction and generously rounded corners, giving many forms a superellipse/rounded-rectangle silhouette. Strokes are monoline and dense, with tight counters and minimal aperture openings, producing a compact, high-impact texture in text. Terminals are mostly flat and abrupt, while curves are simplified into chamfered or softly squared bends; several glyphs show slightly angled cuts that add motion. Numerals follow the same squared-rounded logic, with sturdy, enclosed shapes and minimal internal space.
Best suited to headlines, posters, branding marks, and short promotional copy where its mass and geometric character can read clearly. It also fits sports/gaming or tech-forward interfaces for titles, labels, and UI accents, especially when set with ample spacing and at larger sizes.
The overall tone is assertive and energetic, with a contemporary, tech-and-sport flavor. Its squared geometry and chunky weight convey strength and immediacy, while the softened corners keep it approachable rather than harsh.
The design appears intended to deliver maximum impact through chunky, squared forms softened by rounded corners, balancing toughness with approachability. Its restrained detailing and consistent geometry suggest a focus on bold display readability and a modern, industrial aesthetic.
In running text the dark color and compact counters create a strong rhythm that favors larger sizes. The simplified joins and clipped corners suggest a display-oriented design language, and the narrow openings in letters like C, S, and e contribute to a tight, punchy look.