Font Hero

Free for Commercial Use

Sans Superellipse Uggom 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Akkordeon' by Emtype Foundry, 'Rhode' by Font Bureau, 'CF Blast Gothic' by Fonts.GR, 'Etrusco Now' by Italiantype, 'Sztos' by Machalski, 'Otoiwo Grotesk' by Pepper Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, friendly, punchy, retro, impact, approachability, retro display, brand presence, rounded, blocky, soft corners, compact, high-impact.


Free for commercial use
Customize the font name

A heavy, rounded sans with a compact footprint and consistently softened corners. Strokes are thick and even, with minimal modulation, producing dense, high-ink shapes and sturdy silhouettes. Curves tend toward squarish, superellipse-like rounds rather than perfect circles, and many joins resolve into blunt, flattened terminals. Counters are small and tightly enclosed, giving the letters a solid, poster-like presence and an overall rhythm that feels stable and slightly condensed.

Best suited to large-scale applications where mass and silhouette carry the message, such as headlines, posters, logos, packaging, and bold UI labels. It can work effectively for short emphatic phrases and display copy, especially when a friendly, retro-leaning impact is desired.

The tone is bold and approachable, mixing a friendly softness with a strong, attention-grabbing weight. Its rounded-rectangle construction adds a subtly retro, display-oriented personality that reads as fun and confident rather than formal or technical.

This design appears intended as a high-impact display sans that stays approachable through rounded, superellipse-like geometry. The goal seems to be strong readability at a distance and a distinctive, chunky texture that supports branding and attention-first typography.

The lowercase shows single-storey forms (notably a and g), reinforcing an informal, contemporary feel. Numerals are similarly chunky and simplified, matching the tight counter shapes and squared-off curves seen in the capitals. The design prioritizes silhouette clarity and impact over delicate interior detail, which can make spacing and counters feel compact at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸