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Free for Commercial Use

Sans Superellipse Ibgub 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Neue Helvetica Paneuropean' by Linotype, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, 'Palo' by TypeUnion, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, bold, friendly, playful, retro, punchy, impact, approachability, display clarity, brandability, rounded, soft corners, blocky, compact, geometric.


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A heavy, rounded sans with compact proportions and squared-off curves that read like softened rectangles. Strokes are uniformly thick with minimal modulation, producing dense, high-impact letterforms and tight internal counters. Terminals are blunt and generously rounded, and many curves (C/G/O/Q, 0/8/9) lean toward superelliptical geometry rather than perfect circles. The lowercase maintains sturdy, simplified construction (single-storey a and g) with short ascenders/descenders and sturdy joins, reinforcing a solid, poster-like texture.

Best suited to display contexts where bold presence is desired: headlines, posters, short callouts, packaging, and storefront-style signage. It can work well for brand marks and wordmarks that benefit from a sturdy, friendly silhouette, and for UI badges or labels when set with ample size and spacing.

The overall tone is upbeat and confident, mixing a friendly softness from the rounded corners with an assertive, attention-grabbing weight. It evokes a slightly retro, sign-painting/advertising sensibility while remaining clean and contemporary in its geometry. The result feels approachable and energetic rather than formal.

The design appears intended to deliver maximum impact with a soft-edged, geometric voice—prioritizing bold legibility, consistent texture, and a distinctive rounded-rectangle motif for contemporary display typography.

At text sizes the dense counters and heavy joins create a strong dark color, while at larger sizes the superelliptical curves and rounded terminals become a defining stylistic signature. The numerals are similarly chunky and straightforward, matching the letters in mass and rhythm for cohesive display setting.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸