Sans Superellipse Ornun 10 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: ui labels, wayfinding, packaging, editorial headings, posters, modern, utilitarian, technical, clean, condensed, space saving, modern clarity, geometric consistency, friendly tech, rounded corners, squared curves, compact, sturdy, crisp.
A compact sans with a tall, narrow stance and rounded-rectangle construction throughout. Curves are squared off into superellipse-like bowls, giving C/G/O and the lowercase rounds a softly boxed silhouette. Strokes stay largely uniform with restrained contrast, terminals are clean and mostly flat, and corners are consistently radiused. Counters are relatively tight and vertical stems dominate, producing a firm rhythm and efficient use of horizontal space; the lowercase shows single-storey a and g with similarly squared curves, and figures follow the same condensed, streamlined logic.
This face suits applications that benefit from condensed, high-impact letterforms: interface labels and navigation, signage and wayfinding, packaging panels, and editorial or promotional headings. Its tight proportions and clear silhouettes also work well for short bursts of copy where space efficiency matters.
The overall tone feels contemporary and practical, with a slightly industrial edge from the squared curves and disciplined spacing. Its rounded corners soften the geometry enough to read as friendly rather than harsh, while still projecting a technical, organized character.
The design appears intended to merge compact, space-saving proportions with a softened geometric voice. By building round shapes from rounded rectangles and keeping stroke behavior disciplined, it aims for clarity and consistency while offering a distinctive, modern texture.
Distinctive details include the rounded-rectangular bowls in both cases, a compact lowercase with straightforward joins, and numerals that keep simple, vertical proportions. The Q’s tail and several curved forms emphasize the font’s signature “boxed” roundness, helping it stand out from more purely circular grotesks.