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Sans Normal Ingog 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cosan' by Adtypo, 'FF Sanuk' by FontFont, 'Squad' by Fontfabric, 'Graviola' and 'Graviola Soft' by Harbor Type, 'Achates' by Karandash, and 'Akwe Pro' by ROHH (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, kids media, playful, friendly, chunky, bubbly, retro, approachability, impact, simplicity, display clarity, cheerful tone, rounded, soft, blunt, compact, high-impact.


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A heavy, rounded sans with inflated bowls and soft, blunted terminals throughout. Curves dominate the construction, with squarish counters and gently flattened joins that keep the shapes stable at large sizes. Strokes are broadly even, with minimal modulation, and the overall rhythm feels compact and weighty rather than airy. Lowercase forms are simple and sturdy, with short ascenders/descenders and rounded dots, and the numerals follow the same bulbous, high-mass pattern for consistent texture in mixed settings.

Best suited to headlines and short-form display settings where bold, rounded forms can do the work—posters, social graphics, packaging callouts, storefront signage, and logo/wordmark concepts. It also fits playful contexts like kids-oriented media, casual entertainment branding, and emphatic UI labels where a friendly, non-threatening voice is desired.

The font conveys a warm, approachable tone with a humorous, toy-like friendliness. Its oversized curves and cushioned corners read as casual and upbeat, evoking a slightly retro, cartoon-adjacent sensibility while still staying clean and legible.

The design appears intended to maximize visual impact while staying approachable, using thick, rounded geometry to create a soft, friendly silhouette. It prioritizes bold presence and easy recognizability over fine detail, aiming for a cheerful display voice that holds up in large, attention-grabbing applications.

The dense blackness creates strong page presence and a distinctive word shape, especially in all-caps lines. Apertures tend to be somewhat closed and counters relatively small, which increases impact but can reduce clarity at very small sizes or in long paragraphs. The overall style remains consistent across uppercase, lowercase, and figures, producing a uniform, poster-ready color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸