Sans Normal Abguv 11 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Aeroport' by Brownfox, 'DuGrotesk' by Dutype Foundry, 'Helvetica Now' by Monotype, 'Neue Rational Standard' by René Bieder, and 'Mundial' by TipoType (names referenced only for comparison).
Keywords: ui, branding, editorial, presentations, signage, modern, clean, neutral, technical, friendly, emphasis, clarity, contemporary, versatility, geometric, monolinear, open apertures, rounded.
A slanted, monolinear sans with predominantly geometric construction and smooth, continuous curves. Forms are broadly proportioned with generous counters and open apertures, giving the letters an airy, uncluttered silhouette. Terminals are clean and mostly straight-cut, and the joins stay crisp without calligraphic swelling, keeping the rhythm even across letters and figures. Numerals and capitals follow the same restrained geometry, reading clearly at display sizes and remaining orderly in text.
Well suited to interface labeling, dashboards, and product experiences where a clear, modern italic voice is needed. It can also serve in brand systems, presentations, and editorial subheads for emphasis without resorting to a decorative style. Its open forms and steady rhythm make it appropriate for short-to-medium passages as well as headlines and wayfinding-style applications.
The overall tone is contemporary and matter-of-fact, with a calm, efficient presence. Its slant adds momentum and a subtle sense of forward motion while staying professional rather than expressive. The rounded geometry keeps it approachable, avoiding harshness or austerity.
Likely designed as a versatile italic companion or primary italic style for a contemporary sans system, prioritizing clarity and a smooth, geometric texture. The goal appears to be a restrained, modern voice that adds motion and emphasis while remaining neutral and highly usable.
The spacing appears comfortable and consistent, helping the italic angle feel stable rather than hurried. Round letters maintain smooth circularity, while diagonals and straight strokes keep a tidy, engineered feel, producing a cohesive texture in longer lines.