Sans Faceted Heju 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Denominary' by Balibilly Design, 'Gravitica Compressed' by Ckhans Fonts, and 'Knockout' by Hoefler & Co. (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, condensed, technical, edgy, modernist, impact, compactness, geometric edge, signage clarity, technical tone, angular, faceted, monolinear, tall, compact.
This typeface is built from straight strokes and clipped corners that replace curves with planar facets. The forms are tall and tightly set, with a compact rhythm and consistent stroke weight that keeps counters small and apertures relatively narrow. Terminals are crisp and squared-off, and rounded letters like O, C, and G read as polygonal shapes, reinforcing the cut-metal silhouette. Numerals follow the same chiseled logic, with sharply notched joints and a uniform, utilitarian construction.
Best suited for short, prominent text such as headlines, poster titles, wordmarks, packaging callouts, and bold signage where the condensed proportions help maximize impact in limited horizontal space. It can also work for UI labels or tags when set large enough to preserve the small counters and sharp corners.
The overall tone is hard-edged and engineered, suggesting machined signage, sport stenciling without breaks, or contemporary industrial branding. Its sharp geometry and compressed stance feel assertive and practical, with a slightly aggressive, high-impact voice suited to attention-grabbing display settings.
The design appears intended to deliver a condensed, high-impact display voice built from straight-line geometry, using faceted corners to evoke a fabricated or cut-from-sheet-material aesthetic. Its consistent, monolinear construction prioritizes graphic punch and a disciplined, technical look over softness or calligraphic nuance.
The faceting is applied consistently across uppercase, lowercase, and figures, creating a cohesive system where even traditionally curved joins are handled with angled transitions. The narrow internal spaces and dense vertical emphasis make it read best at larger sizes where the angular detailing can remain clear.