Sans Superellipse Olgel 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Normative Lt' by Green Type, 'Obvia' by Typefolio, and 'JP Alva' by jpFonts (names referenced only for comparison).
Keywords: ui labels, app design, signage, dashboards, brand systems, modern, clean, friendly, tech, neutral, clarity, modernization, ui readability, geometric branding, rounded corners, monoline, square-oval, geometric, open apertures.
A monoline sans with superellipse construction: rounds are based on rounded-rectangle bowls rather than perfect circles, and corners resolve into softly squared terminals. Strokes stay even with minimal contrast, producing a steady rhythm and a clear, contemporary texture. Uppercase forms are compact and geometric (notably the squarish C/G/O), while lowercase keeps simple, utilitarian shapes with single-storey a and g and a short, straight-shouldered r. Numerals are sturdy and straightforward, matching the same rounded-rect geometry and even stroke behavior.
This font fits digital interfaces, product design, and wayfinding where clean shapes and consistent stroke weight help maintain legibility. It also works well in brand systems that want a modern geometric feel with slightly softened, human-friendly edges, and in headings or short text where the squared-round forms can provide a recognizable voice.
The overall tone is modern and approachable, combining a tech-forward, UI-ready crispness with softened edges that feel friendly rather than clinical. Its geometry reads confident and controlled, giving it a neutral voice suitable for information-first design.
The design appears intended as a pragmatic, contemporary sans that balances geometric precision with softened superellipse curves for a distinctive but broadly usable tone. It prioritizes clarity and consistency across uppercase, lowercase, and numerals for reliable performance in modern graphic and screen contexts.
Counters tend to be generously rounded and fairly open, supporting clarity at smaller sizes. The design leans more toward squared curves than circular ones, which gives headings a distinctive, contemporary silhouette without relying on extreme quirks.